David Quantick wrote for the NME for about 15 years, invented the phrase "pop will eat itself", became a comedy writer, and now writes for The Word, Uncut and Harry Hill's TV Burp. "David Quantick is one of the best kept secrets in the world of writing. He's smart, funny and unique" - Neil Gaiman. The Standells are the perfect example of an American band who thought the Rolling Stones were sleazier than the Rolling Stones thought they were, and made the greasiest, roughest, singles ever. A great singer.Please note our website uses cookies to improve your experience. You see artists make the transition from sexy to cult. CD £11.50. Every track here is like a telegram from another planet, only you can dance to them, and cry, and drink little glasses of bourbon. Another

He was Arthur Alexander, who I’d argue is R&B in one man, with the earthy bounce of Stax and the hurt brilliance of Smokey Robinson, all in one voice.

Starting out as a music journalist for the heavyweight music magazine NME around the time of the Punk revolution, Quantick quickly learned the fast paced world of music alongside seminal writers of his generation: Paul Morely, Danny Baker and Julie Birchill.

David Quantick wrote for the NME for about 15 years, invented the phrase "pop will eat itself", became a comedy writer, and now writes for The Word, Uncut and Harry Hill's TV Burp.

He is also the author of the critically acclaimed horror novel All My Colors, published in the USA and the UK. His lack of fame is mystifying, but here you have all his early brilliance. When you are the Jesus and Mary Chain and your life is willingly bounded by certain influences - let's rise once more from our orthopaedic chairs and shake hands with The Velvet Underground, The Stooges, The Ramones, The Beach Boys and new mate Lee Hazelwood - you will … To say David Quantick has had a varied career in entertainment is to miss the point. Selected releases Stranded In The Jungle. Has there ever been a more middle-of-the-road band than

David Quantick began writing for the music publication NME in 1983, alongside Danny Baker and Paul Morley. Vocal harmoes and songs like 'Fools Rush In' are overwhelmed by quaking energy and witty early rock’n’roll. He has liked the music that Ace puts out since for ever. He is also the author of the critically acclaimed horror novel All My Colors, published in the USA and the UK. David Quantick is a writer, author and broadcaster, writing on shows like Veep and The Day Today, Harry Hill's TV Burp and the controversial Brass Eye.

Not only that, they consent to an interview. He wrote 'A Shot Of Rhythm And Blues'. Sadly, his version of the Birds’ version of Eddie Holland’s 'Leaving Here' is absent, but a great 'Train Kept A-Rollin’', a fantastic 'White Line Fever' and the awesome title track (“moving like a parallelogram”) explain why this is my favourite Motorhead album. Good Lord. David Quantick is a Screenwriter. It single-handedly introduced not only Cajun, but the whole world of New Orleans and Louisiana music to the world. I loved the Nips from the night I saw them supported Dexy’s, and when one night Pogue Mahone did 'King Of The Bop', I was very happy. [2] Contents. David was born in 1960s, in the middle of Baby Boomers Generation. David Quantick is a writer, author and broadcaster, writing on shows like Veep and The Day Today, Harry Hill's TV Burp and the controversial Brass Eye. He began writing for the music publication NME and, with Steven Wells, he contributed to... Together with Steven Wells, he contributed to many of the humorous snippet sections in the paper.

He wrote 'Every Day I Have To Cry'.

At the start of his career, he wrote for New Musical Express (NME). David Quantick is a writer, author and broadcaster, writing on shows like Veep and The Day Today, Harry Hill's TV Burp and the controversial Brass Eye. He's an anachronistic retro-dandy legend with superhuman intelligence and alien emotions, humanised by a faithful companion; quite why David Quantick (born 14 May 1961, Wortley, South Yorkshire, England) [1] is a novelist and critic, who has worked as a journalist and screenwriter. A former staff writer for the music magazine NME, his writing credits have included On the Hour, Blue Jam, TV Burp and Veep - …

The Cadets Meet The Jacks.


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