Ken Foree (L) and Keith David (R) shoot the horror shit. More than two decades later, a sequel emerged. The go-to source for comic book and superhero movie fans. This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. shattered both minds and expectations when it hit cinemas in 2017: scoring both a best proves, Black films and filmmakers have always been a crucial (though not always visible) part of the fright flick landscape. Lee This cult classic follows an anthropologist (played by In the 2019 documentary by filmmaker And there are signs things have begun to change in a major way as of late, given the massive success of Jordan Peele's directorial debut, In many ways, the history of Black horror film begins with this—the first ever flick in the genre to star a Black actor (Duane Jones). "Crain made one of the most important, well-known films in the 70s as a 23-year old Black man in the industry," says Burgin. Riding the current “smart horror” wave to box office success and exposing the racist roots of white liberalism, Peele not only ushered in a new dawn of possibility for POC filmmakers but also paid homage to and shed a spotlight on those who had come before him with his studied, razor-sharp satire. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. rip-off starring Carol Speed as a pastor’s wife who becomes possessed by a West African Yoruba spirit, s unfortunate portrayal of a woman taken over by an insatiable sexual mania plays on the well-worn stereotype of the black woman as a sexually ravenous temptress. But when he landed upon the idea to use vampirism as a metaphor for addiction, he produced a mesmeric, thought-provoking arthouse stunner unlike anything else at the time. "Executive-produced by Spike Lee, this cult-hit tells four stories based on issues that impacted Black communities during the 90s, including police violence and system racism. "There aren't too many films like this. (1945) to comment on social awareness and black identity in the 90s through a horror lens. Romero did what was then unthinkable, casting Duane Jones as his heroic lead - elevating what might have been a run-of-the-mill shocker into a blistering cultural commentary on the tumultuous 1960s. The fact that it's actually scary didn't hurt either!Rocco is a Chicago-based writer, editor, and programmer. TS: There are definitely some mixed feelings to be drawn from some of these representations of Black people in horror.Candyman and Blacula both come to mind for me. "It was unprecedented. This list was made by the members of the Horror-movies.ca forums. Though these types of films were primarily aimed at the pocketbooks of urban black audiences, their over-reliance on stereotype has since marked them as necessary though troublesome steps forward in representation. That Jeryline doesn’t just survive to the final reel but is actually the Demon Knight of the title gives the film both an intersectional feminist appeal and deflates the ingrained pop-cultural narrative that people of color must sacrifice themselves so their white costars can live. Some Black suspense films revolve around a deadly love triangle while other good Black thriller movies feature crooked cops. Follow him on Instagram: @rosemarys_gayby Crain, however, as one of the first black filmmakers from a major film school (UCLA) to achieve commercial success, created in the undead 18th-century African prince Mamuwalde (William Marshall) a figure of suaveness and grace that challenged the dominant Hollywood narrative that a black man must be brutal or criminal to wield power.Named one of the ten best American films of the decade by the Cannes film festival, Bill Gunn’s is an experimental horror film that follows an anthropologist, Dr. Hess (Duane Jones of ) as he learns to cope with his transformation into a vampire and navigate the choppy waters of a blooming romance with Ganja (Marlene Clark), the woman whose deceased husband is responsible for his affliction. Top 100 Classic horror movie list. Another, LaValle's novella “The Ballad of Black Tom” (2016), re-imagines “The Horror at Red Hook," one of Lovecraft's most infamous tales, from the viewpoint of a young Harlemite. Not all of the films on this list, are good ones, and William Girdler’s (1974) is an archetypal example of how myopic white directors can be when co-opting black narratives. Jordan Peele's 2017 horror hit Get Out was more than just a commercially successful, critically revered, and Oscar-nominated movie. The film is hailed as having given rise to Blaxsploitation films of the 70s, an ethnic subgenre of film that catered to Black audiences and featured Black protagonists. The fact that the film stars a young Black actress is, in and of itself, a major first.Starring Jurnee Smollett-Bell and Samuel L. Jackson, the late 90s flick tells the story of a young girl living in Louisiana and her memory of an event that happens during the summer of 1962. This deep well of genre cinema has championed, explored, or exploited the lot of people of color since the medium’s earliest days, and with Peele’s sophomore effort, primed to tear up the box office, now is a perfect time to re-discover the highs and lows of African American Horror cinema that came before.
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